Rather than redefining the space, the intervention is intentionally minimal. The existing architecture is left exposed, allowing the focus to remain entirely on the artwork.

A scaffolding system is introduced as the primary display structure, referencing the tools and environments in which street art is typically created. This approach translates the language of the street into a controlled interior setting, creating a tension between raw expression and spatial order.

The result is a gallery that does not compete with the work, but frames it. A space that feels temporary, adaptable and direct, allowing each piece to hold its own presence.